5.5 x 17 x 2.5 ″Hand carved from a single, hardwood block; the rich patina indicates many decades of daily use.The Zulu people are part of the Nguni, an agrarian, homesteading culture living in Southern Africa. These headrests and sculpted from a single, hardwood block, and are either flat or beveled on top. This object differs from other Zulu headrests in that it is virtually rectangular with no legs or "links."
Carved into the front are many squared and triangulated knots, each of which representing high social achievement such as heads of cattle owned by its user - a powerful measure of wealth in Zulu culture. The process of preserving the structure and finishes of such pieces requires a deep knowledge of craft as transmitted through centuries via oral tradition. By social custom, the headrest is frequently offered to the bridegroom from the bride as a vehicle for communication with their Zulu ancestors. "(D)reams are considered to be sent by ancestors, and because dreams are dreamt on headrests, the headrest is a kind of antenna, and the strength of the signal is increased if the headrest is inherited from a senior relative" (Nettleton 2007). It is also believed to be symbolic of procreation with cattle and human descendants in agrarian societies. Imbued with the masculine quality of “ubunkunzi” (i.e., "like a bull”/“bullness"), the Zulu headrest signifies a virility indispensable to the survival of one’s family and the extended ethnic group.
Bishop, S.D. 1986. African Headrests. Scholar.ufs.ac.za.
Johannesburg Art Gallery. 1991. Art and Ambiguity: Perspectives on the
Brenthurst Collection of Southern African Art. Johannesburg: Johannesburg Art Gallery.
Nettleton, Anitra. 2007. African Dream Machines: Style, Identity and Meaning of African Headrests. Johannesburg: Wits University Press.