A textile of rare scale and breathtaking design, this early 20th-century ceremonial skirt from the Ngongo or Ngeende subgroup of the Kuba Kingdom embodies the regal elegance and sophisticated artistry of Central Africa. Measuring an astonishing 30 feet (360 inches) in length, it is an extraordinary testament to the labor-intensive craft traditions of the Kuba people, whose textiles were renowned throughout the Congo River basin.

This skirt presents a dynamic composition of checkerboard fields, deep violet and earthy tan panels, and alternating bands of subtle tonal shifts. A central section features an exquisite lattice of diamond motifs, hand-appliquéd and embroidered, their intersecting lines embellished with carefully attached cowrie shells and beads. This star-like pattern radiates across the cloth with a sense of cosmic order, earning this piece the name The Royal Constellation.

The textile was meticulously assembled from individual resist-dyed and plain-woven raffia panels, a signature Kuba practice that emphasized the collective effort of community artisans. Men traditionally wove the base cloth, while Kuba women added the intricate surface decoration using cut and sewn applique, embroidery, and embellishments. The complex interplay of geometry and texture demonstrates their philosophy of "visual rhythm," where slight variations are deliberately introduced to captivate the eye and avoid rigid uniformity.

The checker motifs framing the borders and the lower band of classic Kuba interlace patterning (in tones of ochre and black) further reinforce the hierarchical balance between stability and dynamic movement. The Kuba people revered textiles as both art and currency, and this type of skirt (often referred to as a ntshak) was reserved exclusively for high-status women of the royal court. It would have been worn wrapped multiple times around the waist during state festivals, funerary rites, or investiture ceremonies.

Today, the skirt retains authentic wear consistent with age and ceremonial use, which adds to its historic integrity and value. The deep, muted natural dyes of this piece speak to the refined restraint of early Kuba artistry, in contrast to the more vibrant color schemes of later examples.

Collectors, designers, and curators worldwide prize Kuba ceremonial skirts for their early abstraction and powerful graphic impact. As a wall hanging, bed throw, or framed textile, The Royal Constellation commands attention with its bold contrasts and evocative history. It bridges the ancient world of royal Congo courts with the sensibilities of modern design.